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Under-floor heating: the warm truth

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It is no secret that our energy use has to shrink by 2020, due to government concerns and strict construction issues now being enforced.

The rising cost of supply, combined with global warming, makes energy-efficient technologies essential today. Floor heating – which uses 30% less energy than warm water heating and over 10% less than ceiling radiation plates – is well placed to reduce energy consumption, cutting carbon emissions and slashing energy bills. Read the rest of this entry

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Interior design has come a long way

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Interior design has come a long way since a meagre splash of colour and a strewing of vibrant material was interpreted to be a must have stylish attribute.

Brian Messana declares a hate for the word contemporary. When asked to describe the architectural style of Messana O’Rorke, he doesn’t care for minimalist either. “It’s too Zen,” he says. “We’re much more pragmatic.” Clearly, he and Toby O’Rorke found their ideal client in an Irish banker who’d purchased a four-bay redbrick 1853 town house in New York shortly before being transferred to Hong Kong. For the ensuing 12 years, he rented the house to a series of tenants-the last being TV personality Charlie Rose-and time, alas, took its toll. A renovation, the first since 1981, would be essential.
The owner, who’d meanwhile returned to Ireland, wasn’t sure if he would sell the renovated property, rent it out again, or keep it as a second home. But he harboured no ambivalence about the desired aesthetic. “There’s a Spartan-ness about how he lives,” O’Rorke says. Achieving simplicity, however, would be complicated. Though the house is 2,800 square feet, that generous amount of space is divided between three upper stories and a basement, and each of those was subdivided into four little rooms, a claustrophobic condition intensified by a trapezoidal footprint narrowing a full 8 feet from front to back. “Out of this hodgepodge, how can we create a sense of spaciousness?” Messana and O’Rorke wondered.
Their approach was to capture as much usable square footage as possible, to rigorously limit the number of interior elements, and to extract maximum impact from the chosen interventions. After gutting and restoring the rundown structure, Messana O’Rorke was ruthless in the pursuit of optimal functionality and clarity. The house used to have two desirable fireplaces per level, but one of each pair came out to make way for the closets so essential for clothing, audio-visual equipment, and mechanical systems. Not least of all, the closets also conceal the house’s distracting diagonal sidewall. With essentially rectangular volumes now established, Messana O’Rorke left the basement, the parlour floor, and the second story largely open-dominated, respectively, by the dining room, the living room, and the master bedroom. These primary rooms are street-front. Supporting spaces, such as the kitchen, study and bathrooms, are at the narrow rear, on either side of the stair hall. The top story, by contrast, is divided into two front-to-back guest suites.
Resulting rooms appear, at first glance, to be vanilla-plain. On closer inspection, an array of details heightens one’s perception and appreciation-of the angles and surfaces that give the interior a surprisingly vital, tectonic presence.

Walls, ceilings, and floors, separated from one another by narrow coves, become discrete elements with dynamic interrelationships. In the bathrooms, rectangular sinks float inches from the walls behind, adding architectural definition and making the small spaces feel larger. When possible, Messana O’Rorke eliminated the doors to closets and fitted them with concealed vertical fluorescent bars that cast a glow into adjoining rooms. “It creates the illusion that the space goes farther back than it actually does,” Messana observes.
Such a pristine environment requires a judicious selection of materials. As a contrast to the white walls, Messana O’Rorke chose oak flooring wire-brushed and lightly limed to bring out its vivid grain, simultaneously conveying the woodworker’s craft and the rawness of nature. Elsewhere, materials deliver surprises.

White-painted doors open to reveal closets lined in tactile walnut; statuary marble in the kitchen and the master bath was chosen for the painterly quality of the veining. Furnishings, selected with the same care, acquire the authority of sculpture-the Shaker-like table in the centre of the dining room, the vintage black leather-covered swivel chairs on the hair-on hide rug in the living room, the Hans Wegner chair in the monastic master bedroom. Architectural photography and ceramic objects add to the sophisticated drama.

The residential house refurbishment taken together, express Ludwig Mies van der Rohe’s suitably terse description of his visual ideal: beinahe nichts, i.e. almost nothing. Or, as Spencer Tracy said of Katharine Hepburn in Pat and Mike, “Not much meat on her, but what’s there is cherce.” Messana O’Rorke’s client certainly seems to think so. As renderings became reality, his notions of selling or renting evaporated. He kept the house for himself.

Losing people is hard; accepting that they are gone forever is harder

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Losing people is hard; accepting that they are gone forever is harder. This weekend was my friends daughter’s birthday, she died only three years ago and he is still grieving for her which is understandable. My friend however is finding it impossible to come to terms with the fact he is never going to see her again, as she was taken so abruptly.

Dying from a disease or from a long term cancer, allows your loved ones to say goodbye, of course it comes with its own problems such as the person being so drained that they tend not to act like themselves.

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Interior Design isn’t what it used to be……

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The Interior Design perception has altered over the last several years, in addition to the changing roles for the designers. In the olden days, interiors were deemed to comprise of ceiling fans and lights bulbs with scarce furnishings polish the room off, however there is much more to fret about nowadays, than simply modifying the bulbs.

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Moving onwards and upwards…..

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I moved to Kent just over a year ago, and it was daunting, I knew nobody but my sister, had no job, no college and no idea what I wanted to do, all I knew was that I didn’t want to live in Portsmouth anymore.

The first thing I did was go to the nearest college and enrol, they wouldn’t allow me to carry on doing the same course as I had at my previous college so instead I did A levels. I then went to the first pub/restaurant I could find and got a part time waitressing job. Naturally through these two environments I met lots of good friends and I used to go out with them almost every night. I even got a place with my sister, and where she worked away from home all week, the flat was pretty much mine to do as I like.

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